maneghost.com

Friday, March 27, 2009

Earth Hour 2009 takes place Saturday, March 28, 2009 between 8:30 to 9:30 pm local time when communities will participate by turning out their lights starting in New Zealand and progressing along time zones around the world.

Earth Hour began as a symbolic initiative against global warming by the World Wide Fund for Nature (WWF). “[It is] The largest demonstration of public concern about climate change ever attempted.” Ban Ki-moon, United Nations Secretary-General said.

Earth Hour began in 2007 with around 2 million participating, and increased to about 50 million in 2008. The Empire State Building, Las Vegas Strip, the Eiffel Tower, Petronas Twin Towers, the Peace Tower, the Parliament Buildings, the Christ the Redeemer statue, Acropolis of Athens, the Egyptian pyramids, and the Colosseum are some notable landmarks which will honour Earth Hour Saturday evening.

WWF organisers wished 1,000 cities would enlist in Earth Hour, however this was surpassed as this year over 2,400 have signed up to take part.

“The Government of Canada’s continued participation in Earth Hour is an indication of our commitment to being mindful consumers. As the custodian of one of the largest office building portfolios in the country, Public Works and Government Services Canada is committed to incorporating environmental practices into waste management, water conservation and the efficient use of energy in our buildings.” Christian Paradis, Minister of Public Works and Government Service said.

“Supporting Earth Hour is part of our commitment to help create a healthier environment for Canadians. Simple actions such as turning off the lights can help improve our environment and tackle climate change as well as empower Canadians to make important lifestyle changes that benefit their families and their environment. We encourage Canadians to take part in Earth Hour.” Jim Prentice, Minister of the Environment.

Wednesday, January 19, 2005

Yahoo!, the world’s favorite Internet destination, reported $373 million in net income for the three month period ended December 31. Revenues were $1,078 million for the fourth quarter of 2004, a 62 percent increase compared to $664 million for the same period of 2003. “We are attracting more and more users to Yahoo!’s network of services and driving their usage deeper with more relevant products and services. This deeper usage is the real magic behind the surpassing of our financial objectives,” explained Susan Decker, the company’s chief financial officer.

• Revenues excluding traffic acquisition costs (“TAC”) were $785 million for the fourth quarter of 2004, a 54 percent increase compared to $511 million for the same period of 2003
• Gross profit for the fourth quarter of 2004 was $691 million, a 56 percent increase compared to $443 million for the same period of 2003
• Operating income for the fourth quarter of 2004 was $235 million, a 149 percent increase compared to $94 million for the same period of 2003
• Operating income before depreciation and amortization for the fourth quarter of 2004 was $327 million, an 84 percent increase compared to $178 million for the same period of]] 2003

Monday, August 26, 2013

German non-profit organization Definetz announced on Friday the development of the ‘Defikopter’: a medical drone, launched by smartphone app, designed to be able to fly defibrillators to heart attack victims in remote areas quicker than an ambulance.

The Defikopter is to be launched by an app that sends out the GPS coordinates of the victim. With the ability to fly at 70km per hour in all weather conditions, the eight-armed octocopter could reach any patient within a ten kilometre radius.

The invention has received cautious praise from German medical services; the drone is still in the development and testing stage. Definetz and collaborating drone builder Height Tech have not issued any information about the release of the smartphone app or about when the drone will be available for medical services to purchase.

“We’ll have to see how much these drones can help,” German emergency services union representative Marco König told The Local. German news site Mittelbayerische reports a price tag of €20,000 (US$26,000) apiece.

One major problem Definetz faces is the law that requires all unmanned flying vehicles in Germany to be supervised. Another is that only members of the public who downloaded the app ‘just in case’ of an emergency, plus emergency workers with the app, could summon a drone.

Sunday, March 25, 2018

Visual art, fabric art, photography, performance, dance, virtual reality, and music were all the subject of sessions at Furnal Equinox 2018, a conference held from March 16 to 18 at Toronto’s Westin Harbour Castle. Canada’s largest furry convention by attendance, the annual event offers dozens of subculture-specific programs.

The convention’s communications and public relations coordinator for the event, Ronnie, describes furries as “people that enjoy arts and culture centred around animals and animal-themed topics, essentially. Furnal Equinox in particular, we like to celebrate in a very visual and very […] artistic nature, where we have lots of arts and performances and crafts that go on, and people celebrate with lots of socialisation involved.”

Of the attendees, Ronnie told Wikinews “they come from all walks of life. They are people of all ages, sizes, all sorts of backgrounds, and they come together under one mutual interest, which is their love for animal culture.”

“Programming at Furnal Equinox involves[…] a lot of informational panels, so you can find out about topics from art and how to draw, or how to visually incorporate different elements into your artworks. You can also find panels that teach you how to write better, be a better fiction author for example,” explained the event representative.

At one panel Wikinews attended, members of its all-volunteer organising committee spoke of the year-long process of planning the event, and their reasons for committing such a significant amount of their time. Said one panelist, “if you’re happy, we’re happy.”

• Image: Nicholas Moreau.

• Image: Nicholas Moreau.

• Image: Nicholas Moreau.

The largest hub of activity at the convention was a dealer’s room; nicknamed the “Dealer’s Den”, giving it an anthropomorphic twist. Vendors were selling original visual art, wearables like faux fur tails or ears, or things like jewellery or soap with motifs that would interest attendees.

The back area of the room was dedicated to a charity auction, with proceeds benefiting Happily Ever Esther Farm Sanctuary. According to the convention website, the charity is “dedicated to rescuing abused, neglected, and abandoned farmed animals. Their goal is to provide a safe, life-long home for all of their residents, and to educate the public about the true nature of farmed animals through tours, volunteer programs, and community outreach.”

Split into groups, some attendees played “Fursuit Games” in front of an audience, like trying to toss a ball into a garbage can. The activity made harder, of course, by the limited dexterity and vision the most of the costumes entail.

• Image: Nicholas Moreau.

• Image: Nicholas Moreau.

• Berrie Image: Nicholas Moreau.

• Image: Nicholas Moreau.

• Attendees try to catch their own prizes, like t-shirts, after the Games. Image: Nicholas Moreau.

Tuesday, January 26, 2010

PRS for Music is the UK’s music royalty collection society tasked with working on behalf of copyright holders, specifically authors and music publishers. Founded in 1914, the PRS is a non-profit organisation with 350,000 UK businesses holding PRS licenses. The society works in conjunction with PPL which collects fees on behalf of the copyright holders of the actual recording.So, if a cover version of a song is played on UK radio, PRS collect a fee on behalf of the original writer and publisher, whilst PPL collect a fee on behalf of the record company of the cover. In a recent Wikinews interview, Paul Campbell, founder of Amazing Radio, an unsigned UK radio station, lambasted PRS for their “barmy standard contract” and their outdated equipment. That interview can be found here.

Wikinews reporter Tristan Thomas interviews PRS, following up on Campbell and others’ criticism as well as finding out about future plans.

((Wikinews)) Firstly, thank you for the time in doing this interview.

((WN)) Last year, you were involved in a high profile dispute with YouTube. Can you briefly explain to our audience what that was all about and the final outcome of it?

((PRS)) PRS for Music was the first collecting society in the world to license the YouTube service, meaning if music videos were watched online then our members – who created them – would receive a small royalty payment. When we went to renew the licence that YouTube held we couldn’t agree as to how much should be paid and exactly what should be covered within it. We believed that music had become a much larger part of the YouTube service and that YouTube/Google should reflect the increased use of our members’ creative talent in the amount they paid.

The great thing is that we kept talking to YouTube throughout the dispute and managed to reach an agreement in September which meant that the videos could be accessed again by UK YouTube users and that our 65,000 songwriter, composer and music publisher members would be paid.

((WN)) How many artists do you represent and how much did you collect during 2009 for them?

((PRS)) We represent 65,000 songwriters, composers and music publishers. We haven’t released our 2009 figures yet but in 2008 we collected over £600m for them. The main sources of revenue come from recorded media (CDs, DVDs etc), international use, public performance use and use in television, radio and online.

((WN)) Paul Campbell in a recent interview with us said the following:“PRS has a barmy standard contract for using their members’ music online. It requires us to pay them a fixed percentage of ALL revenue from that website – whether or not the revenue is derived from their members’ work. So if we had 100,000 songs from non-PRS artists on amazingtunes.com, and one song from a PRS artist, we’d have to pay them a percentage of the revenue from ALL 100,000 songs. I.e., we’d have to take money out of the pockets out of non-PRS artists to pay to PRS. That would be immoral.”How do you respond to that?

((PRS)) Anyone using music in a commercial way – such as a radio station – is required to obtain the permission of those that created the music. This could be numerous writers, publishers and a record label for each song, possibly in different countries around the world. By obtaining a PRS for Music and PPL licence in the UK you are ensuring you have those permissions for over 10million musical works. Obviously much of the music used on radio comes from non-UK writers who may not be members of PRS for Music. Radio and television stations give us almost 100% accurate reports of their music use through their own playlists; this data then enables organisations such as ours to work out who should be paid and how much. PRS for Music has 144 agreements in place with similar societies around the world, resulting in us representing almost 2 million writers worldwide. If French, American, Spanish, Australian or any other writer’s music is used we will pay the respective societies so they can pay their members.

Similarly a writer of musician may be ‘unsigned’ by that doesn’t mean that they shouldn’t earn from their music when it is used by others. Many bands, writers and performers are currently unsigned but by being members of PRS for Music they ensure that they can begin earning vital royalties that allow them to continue with their musical career.

((WN)) How does the PRS ensure that artists outside the UK are properly compensated when their music is used within the UK, such as Thai or Chinese restaurants paying their PRS dues and exclusively using music which is from outside Europe?

((PRS)) As mentioned before PRS for Music has agreements in place in over 90 countries around the world to ensure that when music is used the right creators are rewarded. The system – built up over the last century – works both ways and when UK music is used internationally, PRS for Music receives royalties from foreign societies so we can pay our members. In 2008 £139.8m was collected from UK music use abroad, with the UK being one of only a few net exporters of music in the world.

((WN)) There have been a few cases in which PRS have been forced to apologise, exemplified by the threat of prosecution and a fine towards “singing granny” Sandra Burt, a shelf-stacker who sung to herself whilst stacking shelves. How has PRS moved forward from these incidents in order to ensure they do not happen again?

((PRS)) If we have made mistakes we will of course put our hands up and say so. For example when we were approached about the Sandra Burt case – by a journalist incidentally and not Sandra – we did give out slightly incorrect advice, although the questions were a little ambiguous. Once we realised our mistake we contacted Sandra to explain that she wouldn’t need a licence to sing to her customers and offered our sincere apologies. As an organisation we are very quick to admit where we get things wrong and ensure they are put right. We’re proud of our record with our customers and currently have 350,000 businesses choosing to use music in the UK.

To put the complaints in context we have only have 1 for approximately every 5,000 customer contacts we make. This is an exceptionally low ratio and there are many firms who would be envious of a record like this. During 2009 our complaints fell by 50% and we appointed an independent ombudsmen who could handle any complaints if they were not resolved internally. As of January 2010 no complaints have needed to be passed on to the ombudsmen.

((WN)) How does the PRS work with musicians who are not signed to major labels, may make music available for download via their own websites or MySpace, and do not have the financial resources to protect their copyright?

((PRS)) Many of the PRS for Music membership is not signed to a major record label and we represent creators from all genres of music in the UK and abroad. By joining PRS for Music, which only costs £10 deferred to your first royalty payment, you ensure you can begin earning royalties whenever your music is played, performed or reproduced. We have worked hard to license such sites as YouTube, MySpace, Spotify and Sky Songs to name a selection to ensure our members can be rewarded when their work is used.

Our membership team also work hard to support our creators holding showcase events, offering advice of how to get their music used as well as legal and financial advice.

((WN)) Finally, what future plans do you have as an organisation in order to further protect and enhance your members work as new technologies emerge over the next few years?

((PRS)) PRS for Music will continue to be at the forefront of licensing new digital and online services to ensure creators are paid. We aim to get the balance right to ensure new products and music services can launch and develop, but that also they pay for the music they use.

The music industry is changing and the way we use music is continually changing (it always has) but we’ll still be at the forefront enabling people to use music whenever they want, and rewarding those that have created that music.

((WN)) Thank you for taking the time out for this interview. Good luck for 2010.

Wednesday, January 4, 2012

In the Los Angeles, US arson spree, where more than 50 attacks occurred in four days, local police arrested a German national Monday. The suspect, reportedly 24-year-old Harry Burkhart, was stopped in the vicinity of West Hollywood due to the appearance of his van, matching a description law enforcement authorities issued earlier.

The city saw numerous arson attacks start on December 30, with 17 vehicles and structures set alight. Many of the incidents took place in driveways and carports. In one case, a former home of The Doors late lead singer Jim Morrison was damaged. Despite increased attention by the police force and residents, eleven of the fires occurred in under two hours up until 2:50am (local time) on Monday.

Law enforcement revealed that, only hours before these fires, the State Department alerted the Los Angeles police (LAPD) about Harry Burkhart, believed to be connected to arson attacks in Germany. Acting on that information, police were searching for a blue Dodge minivan. Just before 3am that morning, reserve sheriff deputy Shervin Lalezary — a real-estate lawyer who volunteers with the LAPD for $1 a year — spotted Burkhart’s vehicle and pulled him over. He later recounted, his approach to the van was covered by other officers. A search of the car produced material that could be used for arson, according to various media reports fire sticks and charcoal briquettes.

Police said the suspect was Harry Burkhart, a German national from Frankfurt, with Chechnyan travel papers. Canadian media reports a minivan, ostensibly his, has licence plates from British Columbia and there is a traffic offence record for a Harry Burkhart in Vancouver. He had been in the US for several years, and lived in an apartment on Sunset Boulevard. In a court hearing concerning his mother’s immigration problems, according to police, Burkhart had ranted against the United States.

Los Angeles Police Chief Charlie Beck voiced optimism about the case: “I feel very good that we’ve got the right guy. He had the right stuff in his van and I am confident in the arrest.” Officials held a press meeting Monday evening about the developments.

Friday, May 12, 2006

Peter Costello’s budget announcement has led to rejoicing for small businesses, but the lack of joy for those pushing for radical corporate taxation reform has led to many businesses asking “what about us?”

Personal taxation and small business have been the big winners after this year’s federal budget. Although dampened by the twin economic threats of rising interest rates and petrol prices, there should be a reasonable amount of real income savings for both low and high income earners, with those receiving Medicare, or a superannuation benefit, privy to an even lower level of taxation (0% for those on super benefits).

Small business also has benefited from the Howard government’s 11th annual budget, with them receiving a higher level of reducing depreciation, leading to a higher level of deductions in the years following the uptake of new technology or other capital. They are also privy to a AU$435 million dollar tax cut to compensate for their changing accounting requirements under the government’s new AIFRS reporting standards, as well as increasing the uptake of both the small business tax relief scheme and CGT (Capital Gains tax) Concessions.

The budget was not a complete loss for big business however, as superannuation laws have been tweaked to streamline contribution and payment rules previously impeding those with multitudes of staff.

But this is not enough, says Big 4 accounting firm Ernst & Young. In their newly published paper “Taxation of Investment in Australia: the need for ongoing reform”. In it they lead the charge for a greater streamlining and organization of the corporate tax system in Australia, submitting that it will lead to reductions in “disincentives to work save and invest in Australia [as well as improving] the international competitiveness of Australian businesses.” This follows from a recent report brought out by Mr. Costello himself about the need for tax reform in Australia.

A budget night Mr. Costello was notably coy about any future reform of corporate tax in Australia. He alluded to the report by his ministers but kept from outlining the government’s plan precisely.

Saturday, March 4, 2006

Nearly half a million people packed into Sydney’s “Golden Mile” on Saturday night to applaud the city’s 28th annual Gay and Lesbian Mardi Gras parade. Parade organisers estimated the crowd at over 450,000. They lined Oxford St – along the parade’s route – in Sydney’s unofficial gay district, cheering the 6,000 participants and 120 floats.

The Mardi Gras event was the culmination of a month of gay-pride festivities. Many parade participants adopted the theme of the film Brokeback Mountain. The parade was led as usual by the motorcycle group, Dykes on Bikes. Amongst the frivolity and colour, onlookers saw “Kate Moss dancers” snorting ‘cocaine’, and the gun-wielding – apparently gay-friendly – Dick Cheney. A lampoon of Prime Minister John Howard – a pirate ship carrying “Captain Crook” was also featured.

A Mardi Gras participant, Filipino Fyljoy Volefdico, 25, said: “I think within Australia there is really a lot of culture and it’s great when the whole community comes together and celebrates it.”

Jay Lynch, who met his partner at the event two years ago, said: “It has become a meeting ground for gays from around the world and as discrimination continues it’s important we can connect on this level, and continually redefine what it means to the community.”

Chair of the New Mardi Gras board, Marcus Bourget, said the event is about providing a powerful voice for the lesbian and gay community. Describing the parade as “a great Aussie tradition”, Bourget said he was proud of the event. “We’ve run a fairly sophisticated marketing campaign this year, which has led to gradual growth internationally,” he said.

Newcastle woman Donna Newella said Mardi Gras had become many things to many people, “It is not just about gays and lesbians,” she said. “It’s about all different issues that have arisen,” she said “freedom of speech, being able to represent one’s identity and being able to put a political point across.”

The first Mardi Gras took place on June 24, 1978 as a protest against a ban on homosexuality in Australia. It began as an improvised street party following a gay-rights rally. However when a city official interrupted the festivities, things turned ugly. On that night there were 53 arrests and many allegations of police brutality. Homosexuality was later decriminalised in Australia in 1984.

Local businesses realise the economic importance of the event, which is a huge money-spinner, they say. Visitors to Sydney for last year’s Mardi Gras contributed an estimated $46 million to the State’s economy. Organisers say about 6000 international visitors, the majority from Britain and the USA, attended this year’s event.

“We came all the way from America to see this,” Mrs Phyllis Drucker 67, from Los Angeles, said. “We were told it’s the best in the world, and we’re going to have a ball.”

A float entitled “Love Between the Flags” highlighted the need for racial harmony and cultural acceptance following last year’s Cronulla riots. Creative director Graham Browning said the theme of the parade, “I believe”, aimed to reflect political and social issues. The NSW Police service, with 45 members also marched in the parade.

Mardi Gras parade chief Deborah Cheetham, an internationally renowned soprano, rejected suggestions the parade was passe. “Maybe we’re just in that period of transition. It’s not tired,” said Cheetham, who led the parade with her partner and 14-year-old daughter. “There will always be a need for Mardi Gras.”

Sydney Lord Mayor Clover Moore said the parade was a celebration of Sydney’s diversity. “When you’re a child the thing that really excites you is either Christmas or the Royal Easter Show and I think as an adult Mardi Gras is the only equivalent,” Ms Moore told reporters.

“I didn’t want to miss any of this,” said 17-year-old Jennifer Mackay from outer Sydney, who arrived with three friends 10 hours before the start.

“It’s like Christmas for the gay and lesbian community,” said the parade’s creative director, Graeme Browning.